| NIM | F1A021098 |
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| Namamhs | NOVAN RAMADHAN |
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| Judul Artikel | Analisis Semiotika Roland Barthes terhadap Representasi Kesakralan Tokoh Paranormal Ed dan Lorraine Warren pada Film The Conjuring 2: The Enfield Poltergeist |
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| Abstrak (Bhs. Indonesia) | Fenomena supranatural sering diangkat sebagai tema dalam film horor dengan menghadirkan karakter pemuka agama dan paranormal untuk melawan kekuatan gaib. Penelitian ini membahas representasi kesakralan paranormal Ed dan Lorraine pada film The Conjuring 2: The Enfield Poltergeist yang berbeda dari banyak film horor lain dengan memperlihatkan keberhasilan melawan makhluk gaib. Metode yang digunakan adalah kualitatif dengan teknik analisis semiotika Roland Barthes melalui teori representasi Stuart Hall berupa encoding dan decoding. Hasil penelitian menunjukkan proses encoding dalam film ini mengodekan pesan kesakralan melalui perpaduan elemen spiritual meliputi simbol religius Salib dan doa, serta kemampuan supranatural, seperti retrokognisi, clairvoyance, dan demonologi. Sementara, decoding memberikan ruang bagi audiens untuk menginterpretasi pesan yang disampaikan dalam film terkait kesakralan. Penelitian ini berkontribusi pada studi representasi dengan menunjukkan bagaimana elemen sakralitas dipadukan dalam penggambaran karakter paranormal. Perpaduan ini memperkaya kompleksitas cerita dalam genre horor serta membuat masyarakat memahami penggambaran unsur sakralitas pada media hiburan kontemporer. Penelitian ini merekomendasikan kajian lebih lanjut untuk menganalisis persepsi masyarakat terhadap sakralitas pemuka agama dan paranormal dalam film horor serta studi perbedaan lintas budaya, agama, dan tradisi dalam memengaruhi representasi sakralitas dalam film horor. |
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| Abtrak (Bhs. Inggris) | Supernatural phenomena are often raised as a theme in horror films by presenting religious leaders and paranormal characters to combat supernatural forces. This research discusses the representation of the sacredness of paranormal Ed and Lorraine in the film The Conjuring 2: The Enfield Poltergeist, which differs from many other horror films by showing their success in combating supernatural beings. The method used is qualitative with Roland Barthes' semiotic analysis technique through Stuart Hall's representation theory in the form of encoding and decoding. The research results show that the encoding process in this film encodes messages of sacredness through a combination of spiritual elements, including religious symbols like the Cross and prayer, as well as supernatural abilities such as retrocognition, clairvoyance, and demonology. Meanwhile, decoding provides space for the audience to interpret the messages conveyed in the film related to sacredness. This research contributes to the study of representation by showing how elements of sacredness are integrated into the portrayal of paranormal characters. This combination enriches the complexity of stories in the horror genre and helps society understand the depiction of sacred elements in contemporary entertainment media. This research recommends further studies to analyze public perceptions of the sacredness of paranormal figures and religious leaders in horror films, as well as cross-cultural, religious, and traditional differences in influencing the representation of sacredness in horror films. |
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| Kata kunci | Film The Conjuring 2: The Enfield Poltergeist, Sakralitas, Paranormal |
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| Pembimbing 1 | Hariyadi, S.Sos., M.A., Ph.D. |
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| Pembimbing 2 | Dr. Arizal Mutahir, S.Sos., M.A. |
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| Pembimbing 3 | Wiman Rizkidarajat, S.H., M.H |
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| Tahun | 2024 |
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| Jumlah Halaman | 21 |
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| Tgl. Entri | 2025-01-30 08:32:12.059301 |
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