Update Artikelilmiah: 35274

AN'NISA SHIELLA AGNESSIA

NIM

Judul Artikel

Abstrak (Bhs. Indonesia)

Film merupakan representasi realitas yang disampaikan melalui komunikasi berupa kata-kata, bunyi, visual maupun kombinasi. Setiap film merepresentasikan makna, berupa tanda untuk mengkodekan pesan, konvensi-konvensi, dan ideologi dari suatu kebudayaan. Penelitian ini berfokus pada representasi kepribadian dan konflik yang dialami tokoh Vincent van Gogh pada film Loving Vincent, melalui pendekatan semiotika Charles Sanders Pierce. Data dalam penelitian ini dikaji dengan menggunakan cultural studies, teori psikoanalisis Sigmund Freud, dan teori anomie Emile Durkheim. Prosedur yang digunakan dalam penelitian ini adalah dengan cara menonton, melakukan screenshot adegan, kategorisasi adegan, dan menyusun laporan penelitian. Berdasarkan penelitian yang telah dilakukan, dapat disimpulkan bahwa tokoh Vincent mengalami dinamika kepribadian, yaitu kepribadian ceria dan kepribadian murung. Dinamika kepribadian terjadi akibat konflik dengan orang lain dan diri sendiri. Akumulasi konflik yang dialami oleh Vincent dari kecil yaitu kurangnya perhatian orang tua hingga dewasa, diskriminasi, stigma masyarakat, dan profesi yang tidak berjalan sesuai dengan harapan, menimbulkan perasaan gagal. Vincent merasa eksistensi dirinya terancam, Egonya merasa telah disalahpahami, id dalam dirinya berkecamuk dan berkembang menjadi perasaan kecewa. Pada tahap tersebut, Vincent merasa tidak ada yang dapat memahaminya, dia menjadi semakin tertutup dengan lingkungan dan mengalami situasi anomie, bingung terhadap masa depan dan hal tersebut mempengaruhinya dalam pengambilan keputusan hidup.
Kata Kunci: Film, Representasi, Vincent van Gogh, Kepribadian, Konflik

Abtrak (Bhs. Inggris)

The film would be a representation of reality that has been delivered through the communication with the uses of words, sounds, visual, and combination of all of them. Every film representing a meaning, that is a sign to discreetly deliver hidden messages, conventions, and ideologies from a culture. This research focuses to the character’s representation and conflict that happened by the character, Vincent Van Gogh, in the movie Loving Vincent, with the semiotic approach by Charles Sanders Pierce. The data from the research have been conducted using the method of cultural studies, psychoanalysis theory by Sigmund Freud, and the anomy theory by Emile Durkheim. The procedures that have been used in this research are by watching, doing screenshot scenes, categorisation scenes, and structuring a research paper. Based from the research that has been done, it can be concluded that Vincent was having a dynamic personality, that is a cheerful personality and a sorrowful personality. This dynamic character had happened due to the conflict with other people and with himself. The accumulated conflicts that were suffered by Vincent since little that is because of the insufficient of attention Vincent received from his parents until he was grown up, discrimination, stigma from the society, and a career that was not going as he hoped for, created a feeling of failure. Vincent felt his existence was endangered. His ego was misunderstood, the identity of himself was slowly grows into a disappointment. During that stage, Vincent felt nobody would understand him, he became more guarded with his surroundings and had suffered an anomie condition. From that incident, it affected his life-decision making.
Word keys: Film, Representation, Vincent Van Gogh, Personality, Conflict

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